Yes, yes, we know that BRASS concerns a family of Victorian science heroes matching wits and weapons with a mysterious Crime Minister, but what’s it ABOUT? Here’s a quick Season One teaser to give you a taste!
Lord Whitestone visits Parliament, Gwendolyn has some social calls, and the family has breakfast together. Pretty much how you might imagine things conclude.
As we move BRASS into the strange new world of TV pitching, we’ve learned to anticipate a new question: “What’s your origin story?” In this context the question doesn’t mean “where do your characters come from?” but “where does your story come from?” That’s often tough for a writer to answer. Sometimes it’s an itch you can’t scratch, or an … Read More
Katherine Grant-Suttie is our original and unsurpassable Gwendolyn Brass, as well as a co-producer at Battleground, where she’s worked as an audio engineer, graphic designer, and about a hundred other jobs at one time or another. She’s also driven and something of a workaholic, so it was harder than you might imagine getting her to sit down for a profile … Read More
Lord Brass has tea, Lady Brass sees to an an exit, Gwendolyn arranges an entrance, and Mechanical Badgers.
Lord Brass gives a speech, Cyril visits a newspaper, and the Crime Minister reveals his plans for retribution.
As we pull this week’s version of the Bulletin together, we’re also assembling our pitch package for NATPE, a virtual TV producer and distributor conference. This is the third conference we’ve attended in the last couple of years, and only the second that (thanks to COVID) is virtual. In the last five years we’ve produced BRASS plays, BRASS podcasts and … Read More
Kate Kraay has played the role of Lady Brass since its first audio episode, as well as onstage (The Launch Party) and on film (Lair of the Red Widow, The Kinesigraph). As we approach the close of the fourth season, we realized that we hadn’t done a profile on Kate–a pretty huge omission, seeing how important she’s been to BRASS! … Read More
The cat-and-mouse games continue between Lord Brass and the Crime Minister, Gwendolyn visits a policeman, and Lord Trent arrives for another interview in the dark room.
Lord Brass and Ab’d discuss realpolitik, Cyril has an audience with an archbishop, the Crime Minister gives a geometry lesson, and Gwendolyn plans a heist.